Some of the best films of 1940 were the kind of film noir. The classic black and white film shows the dark shadows of the inner eye, and in the alleys of the city.
Hot, cramped New York apartment, lonely, mist docks, nightclubs and cafes with waitresses wisecrackin smoky "black-dominated landscapes.
Most of these films were made with a relatively low budget, especially the RKO, which is veryeccentric gems. The staging, or look and feel of these films has sought to reflect the psychological swamps characters'.
Another feature of film noir has come in writing, which are often full of snappy, brilliant dialogue, full of irony and black humor.
The Academy has recognized that some of these are classic film noir of excellence in one aspect or another, and of course consider worth the price review.
According to the AcademyMotion Picture Arts and Sciences Database, the movie won the Oscar the following year.
In 1944, Joan Crawford won Best Actress for her portrayal of Mildred Pierce in the movie with the same name, "Mildred Pierce".
Billy Wilder won the best director for his work on "The Lost Weekend," which also won the best film (Paramount), Best Screenplay (Charles Brackett, Billy Wilder) and best actor (Ray Milland).
Also this yeargave birth to "Laura" for which Joseph LaShelle won an Oscar for cinematography in black and white.
In 1948, Claire Trevor won an Oscar for Best Supporting Actress for her role in "Key Largo won.
"The Naked City" won two Oscars, one for William Daniels, photography and one for the edition of Paul Weatherwax.
In 1950, "Sunset Boulevard" won the Oscar for best score of the music of Franz Waxman made.
The best scenario was "panic in theRoads ", written by Edward and Edna Anhalt.
Robert Krasker incredible pictures in "The Third Man" Have you got him an Oscar this year.
In addition to these winners at the Oscars, which was nominated for most of the noir genre writing. The category includes the best written history of the original film, best screenplay and best original screenplay. Write For those interested in film noir classic, or screenplays to the films arecertainly worth a review.
In 1941, there was "The Maltese Falcon." 1943, "Shadow of a Doubt." In 1944, there was "Double Indemnity" and "Laura". Mildred Pierce "was nominated for writing in 1945. (" Lost Weekend won. ")
In 1946, there were several contenders for the film noir "The Black Mirror," "The Strange Love of Martha Ivers" and "The Stranger", "Blue Dahlia," "Brief Encounter") (Black doubtful, and "The Killers".
In 1947, "Kiss Of Death", "A Double Life" and "Crossfire"have been identified, and in 1948 was "The Naked City," "The Treasure of the Sierra Madre" and "Johnny Belinda".
In 1950, "Mystery Street" was one of the candidates, and "Panic In The Streets" (the story best film) and "Sunset Boulevard" (best story and screenplay won).
"The Big Carnival" was nominated in 1951, while "The Narrow Margin" nominated in 1952 (loss of "The Bad and the Beautiful").
In 1958, "I Want To Live!" was nominated for Bestwriting.
So head to the nearest video store and see what treasures can be film noir, Oscar, see you!
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